AN IDEA ABOUT ENGLISH LITERATURE

Posted by James Dawson on May 21, 2013

ExamAs you may know, I was a teacher long before I put pen to paper (or fingers to keyboard) to write novels. Although I taught in primaries, since giving up the day job, I’ve done one afternoon a week at Lambeth Academy as part of my work with First Story. Working with older students, talking to teachers, and seeing recent exam papers has got me thinking about the way we teach English in schools and how many pupils fail to engage with the subject. Recently an idea has been brewing in my head, a way to ensure that young people leave school with the skills they need. I honestly can’t decide if it’s a good idea or if I’m a ‘swivel eyed loon’, so I thought I’d share here. Basically this is one of those ‘if I was in charge of education for a day’ posts. (At least I’ve worked in schools, our actual Education Minister can’t say the same).

For the most part, I’d leave primary education alone. I’d obviously get rid of phonics testing in Year One, but so would anyone. The English curriculum is divided, at primary level, into reading, writing and speaking & listening. These are assessed in each child. My proposed changes kick in at high school level. In the UK, all pupils sit examinations in English Language and English Literature, although the existing National Curriculum (about to undergo a major change) is still divided into reading, writing and speaking & listening.

It was when helping some Year 12 students prepare for their English resits that I realised the current system isn’t relevant to all pupils. When I was at school, I loved books and reading so never really considered how heartbreaking a compulsory English exam must be, how soul destroying, for young people who don’t enjoy reading. A huge number of young people loathe reading and do not do it for pleasure. Why are we forcing them?

I wonder if we could change the system to suit everyone. What if the English Literature part of the curriculum was an elective subject – an ‘option’ at Year 9? Art, drama and music are all ‘options’, yet literature (an art form the last time I checked) is thrust upon all young people regardless of their passion or talent in this medium.

I’d propose, alongside ‘English Literature’, a compulsory new subject called ‘Communication’. This would contain elements of the existing English Language and Speaking & Listening syllabus. This subject would contain essentials that grown ups need to get by in the workplace and society (‘making a positive contribution’ is what the curriculum wants). I hated Maths because I felt a lot of it wasn’t relevant for my life. I was right. I suspect kids who hate English feel very much the same way about the Brontes.

‘Communication’ would include: debate; forming arguments; turn-taking (you’d be surprised); interview skills; report writing; formal letter writing; standard and non-standard English; dialect; grammar; spelling; conversation; drama; listening and responding; critical thinking skills; problem solving…basically key skills any employer would look for. That sounds really dry in a list, but think of a module in which young people  had to study the conflict in the Middle East or something: looking at bias in print and TV journalism, debating the pros and cons of the conflict and writing both sides of the argument. It doesn’t HAVE to be dry. Don’t forget those who did love books and reading would still be able to opt for Literature too.

This is controversial, BUT isn’t THAT far off what’s actually happening. Unless you are at school or have kids currently sitting exams you might not be aware that not ALL pupils sit Literature as it is. In fact, only more able, ‘High Band Jesson pupils’, who achieve well in a Year 10 English Language exam will even go on to sit an English Literature test in Year 11. Less able pupils, the charmingly labelled ‘Low Band Jesson’ pupils will sit a single exam: GCSE English, which is basically English Language (with some Lit elements in their coursework). At least with my proposal, any young person who enjoyed reading and creative writing would be able to sit English Lit. Everyone should have access to literature, or you end up in a Waste Land situation with some parts of society being excluded.

I’m sure there will be people reading this who think that we should force all young people to read. I agree. Being able to read is vital. What I’m saying is, novels and poems might not be. I know, an author just said that. Of course we love books! I suspect a lot of people reading this will be authors, readers and bloggers – but what if you didn’t? Would you want to do something you hated every single day? I suspect there will be people saying I’m suggesting an elitist two-tier system, but it’s certainly no more elitist than the one that already exists. If anything, it’s fairer, because EVERYONE would have to sit the ‘Communication’ qualification. Not only pupils who have been read to since the womb, brought up surrounded by books at home, or with access to libraries could excel at this subject.

You can see for yourself how baffling the current system is. I think employers would appreciate a simpler qualification too, and understand the transferable skills it brings with it. At the moment, a poor grade in English equates to ‘I’m not too hot at reading comprehension tests or describing a park by night with florid similes’, but are employers aware of this? Probably not.

There is a potential flaw. What if there’s a pupil who hates, hates, hates reading until that one fateful day in English when their teacher strolls in with To Kill A Mockingbird and then they love books forever. Well yes, that might happen, but if they’re a ‘Low Band’ pupil they might not find themselves in that situation as it is. Remember, in my idea, they would only ‘drop’ Literature at Year 10 – I think that’s plenty of time for a young person to decide if they love reading and creative writing.

Perhaps if we weren’t forcing sixteen year-olds from Brixton to read Austen, beating the love of reading out of them with a list of core texts that’s barely changed in fifty years, they would find their way to reading in their own time. SPOILER: There’s not a lot of Cassandra Clare, John Green or manga on the list, you guys. My brother-in-law only reads sporting autobiographies, and what’s wrong with that? We need all young people to read, we don’t need them to read Keats. There is a place for creative writing and literary criticism, but it’s not appropriate for all young people.

Clearly no one is actually asking for my opinion, but with the curriculum about to change into something hotly contested, now is the time for discussion about English. Michael Gove, the current education secretary, seems rosy eyed about his own education and many of the changes seem to look backward rather than forward. I understand my idea is a little radical, but at least it offers something new. Something new is needed because too many young people are leaving school without ‘English’, but I wonder how many of them would succeed at ‘Communication’.

 

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PHBC1: TRICK OR TREAT BY RICHIE TANKERSLEY CUSICK

Posted by James Dawson on May 13, 2013

Trick or TreatWhat’s it all about?

Martha Stevenson, an angsty Chicago teen who makes Bella Swan look positively cheerful, is relocated to small-town USA when her recently bereaved father remarries (so fast, it’s a wonder no -one mentions the possibility of overlap).

Martha’s sour disposition doesn’t improve when she discovers her new home is the local murder house AND she bears an ‘uncanny resemblance’ to the girl who was killed in her new bedroom. She’s barely hard time to complain about her stepmum’s cooking when she starts getting creepy phone calls, people lurking in her cupboard and hanging effigies outside her window.

The murderer, DENNIS (yes, I’m seeing Liz Lemon’s ex boyfriend too), was never found – is he back to claim his dead girlfriend once again?

 

 

The Girl

Martha is, by turns, miserable or hysterical. She takes particular issue with the perfectly pleasant Conor, her new half-brother. I think the following gif best sums up Martha’s disposition. She’s hardly described, but is said to have ‘bouncy blond hair’, so I think Elizabeth Berkeley is a fair casting choice.

tumblr_m819wkP4VT1rts1j7o1_r2_400

 

 

 

 

 

The Love Interest

Now this is where it gets weird. RTC presents not one, not two but THREE hot guys for Martha to fall for. Proper YA love square territory over a decade before Twilight, you guys. Bizarrely, for much of the novel step-brother Conor is set up to be the main love interest. He gets this description:

‘The square jaw and the way his mouth was always set – like he might be speculating over something – except the corners lifted slightly in a secret sort of amusement. The deep set eyes – so cool and steady and piercingly blue beneath low brows. He was tall and slender, but his shoulders were broad, and tonight he was wearing jeans and a bulky sweater, those strong shoulders hunched against the chilly night air. His hair was thick and always looked windswept, burnished gold and tousled across his shoulders.’

So we can only imagine he looks a bit like this:

kevin-sorbo-81072-ksnf

Please feel free to draw your own Conor designs too. Don’t forget the shoulders – I sense they’re very important to the author. However, as Martha hates Conor with an irrational rage I usually reserve for high street charity workers, she instead saves all her manners for high school star Blake Chambers AND his suave guidance counsellor cousin, Greg. She’s quite nice to both of these men. Poor Conor.

Of course, this being Point Horror, all three are firmly in the frame as the prank caller/prowler.

SPOILERS: This is my biggest issue with the book. CLEARLY Martha is meant to end up with Conor – the sparing hints at all kinds of underlying lust. Getting it on with your step-siblings (or just siblings in some franchises) is fertile YA ground. In the cellar based inferno denouement, Conor and Martha even do a spot of face stroking. I was SURE those kids would get it together.

However, as Blake (with whom Martha shares a literal roll-in-the-hay) ISN’T our stalker, she’s stuck with him at the novel’s end. You kinda hope Blake IS the killer just so Martha and Conor and free to braid each other’s tumbling locks.

I wonder if this will become a trend as we continue our Point Horror journey, but perhaps unlike modern YA, the boys are more developed than Martha is. Blake has real aspirations to get out of town after high school and gets a great sense of humour too – check out this saucy number:

‘She glanced at him, hesitating. “Can I ask you something?”

“Never on a first date.” His eyes met hers with a twinkle.’

Martha, however, is utterly humourless.

Dialogue Disasters:Oh Conor! Please don’t be dead!’

Oh Wynn! You scared me to death!’

Oh Wynn! You scared me again!’

‘Hey gypsy lady, how about a dance?’

‘Martha, my newest and prettiest student, how’s life treating you at dear old Bedford?’ Yes, teachers always say things like this…IF THEY WANT TO GET FIRED.

Body Count: 2

Does it pass the Bechdel test? Yes, Martha is given a friend in the guise of Wynn Chambers, another member of the Chambers clan.

Is it scary? Actually YES. Properly scary. RTC plays cleverly with both horror film staples (Martha has to go into her empty school to fetch a textbook) and basic childhood fears (someone coming out of Martha’s closet – and not in the liberated homosexual way). The only criticism would be that Martha never truly feels in peril.

Did the best friend do it? Erm…

Is it good? YES. A modern reviewer might pick up on the abundance of adverbs. Hell, if I, as a recovering adverb addict, notice, there must be a fair few. There is also the unforgiveable line:

Like invisible leaves blown across the wooden floor by a cold, invisible wind.’ Rather than the warm, visible winds we’re so used to.

But that’s a one off. Otherwise it’s a well written, if unshowy, novel. The only downside to Trick Or Treat is how vile Martha is – one can’t imagine it was the intention to create a character you might quite like to see die. At one point I wondered if Conor HAD taken it upon himself to torture his hilariously uptight sibling for shits and giggles. That would have been pretty good actually.

Martha Stevenson, coming soon to a staff toilet, crying about how everyone in the office hates her and has been giving her evils when no-one else is watching.

Over to you!

Some questions to consider.

1. Is Martha’s attitude towards her new family warranted?

2. If you had to: Conor, Greg or Blake? Why?

3. What (if any) were your scariest moments? Why?

4. Would you describe Martha as empowered? Why?

5. What do you think happens AFTER the novel’s conclusion?

See you here again on 13th June for PHBC 2 – THE BABY-SITTER by RL STINE!

babysitter

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POINT HORROR BOOK CLUB

Posted by James Dawson on April 21, 2013

Trick or TreatIF BOOKS COULD KILL…

For whatever reason, teen thrillers without a dark romancy element are pretty hard to find – I know because I was trying to do a top ten for when Cruel Summer comes out. It’s no big secret that I was ADDICTED to Point Horrors and Christopher Pike novels as a teen and they have massively influenced Hollow Pike (see chapter 12 – The Babysitter) and Cruel Summer.

But I wondered: are Point Horrors well-loved nostalgia pieces or are they ACTUALLY GOOD? When talking to readers online, everyone agrees they were brilliant fifteen years ago. But what about now? After a REVOLUTION in YA fiction, can Point Horrors hold their own? Are they (whisper it) even better than the Twilights, Hunger Games and TFiOSs? This writer believes the teen audience craved something more sophisticated. I think he’s a bit of a snob.

Let’s find out! Here’s how the POINT HORROR BOOK CLUB will work. Each month there will be a new title. I’ll read it and write my thoughts here. If you, dear reader, can be arsed, raid your attic, charity shop or eBay and join in. We can discuss each title on a special area of this very website (which my lovely web chum is in the process of creating). On twitter, use the hashtag #pointhorrorbookclub so I don’t miss your thoughts.

The first title will be the first Point Horror released in the UK, 1991′s TRICK OR TREAT by Richie Tankersley Cusick. I’ve already lined up a few titles I’m going to revist. After that, if we can still be bothered, we’ll vote for the next title. Being a me thing, it’s very laid back. You can join in as much or as little as you want.

Whether you remember Point Horror from the 90s or are intrigued as to what us old-enough-to-know-better types are talking about get searching for TRICK OR TREAT right now. So many of you have already tweeted pics of your second hands copies and I can’t wait to get going!

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BEING A BOY SURVEY – SEX AND RELATIONSHIPS EDUCATION

Posted by James Dawson on April 5, 2013

Red Lemon PressAs you may know, this September sees the launch of my first non-fiction title ‘Being A Boy’ from Red Lemon Press. I used to be a Personal, Social and Health Education (PSHE) teacher and I’m very interested in how you rate your teaching and learning in this area.

‘Being A Boy’ is a frank look at puberty, sex and relationships, especially for boys, but valuable for any reader. This survey is NOT about puberty, sex or relationships, but rather the teaching of these subjects in schools.

IMPORTANT INFO: To take part you need to be aged between 14 and 24. Individual survey data is 100% anonymous and will not be collected. Overall results may be used in ‘Being A Boy’ and the supporting campaign.

TAKE THE SURVEY NOW.

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QUIZ! WHICH HOLLOW PIKE CHARACTER ARE YOU?!

Posted by James Dawson on March 15, 2013

Hollow Pike1. At school you see an advert for auditions for a big school musical. Will you audition?

A – Absolutely, that sounds right up my street.

B – I’ll go if my friends are going.

C – I can’t be bothered, not really my thing.

D – I’d rather die.

E – I’d like to, but would never have the guts!

 

2. At school, what’s your favourite subject?

A – Art, drama, music…anything vaguely creative.

B – English – especially literature.

C – PE every time.

D – Maths – you know where you stand with numbers.

E – Anything BUT PE!

 

3. What’s your favourite way to spend a Saturday afternoon?

A – In a field, listening to live music – perfect!

B – With my family.

C – A kick-around in the park sounds good.

D – Don’t care as long as I’m with my mates.

E – Catching up on Supernatural, Doctor Who, Vampire Diaries…

 

4. Which of the following is your favourite snack?

A – Nuts, seeds or fruit – gotta get your five a day!

B – Chocolate, what else?

C – Cold pizza!

D – Black coffee is an essential for living.

E – Sweets, crisps, cake – anything I can get my hands on!

 

5. What is your wardrobe essential?

A – Anything vintage – I hate looking like a clone.

B – Simple, chic and stylish – timeless pieces!

C – Urm…jeans.

D – Something designed to shock.

E – Converse sneakers  -I have them in ten different colours.

 

6. Which of these films do you like the most?

A – Jules et Jim – C’est magnifique!

B – If I’m honest, The Notebook, but don’t tell anyone.

C – Are you kidding? Star Wars!

D – Howl’s Moving Castle or Princess Mononoke – something Studio Ghibli.

E – Nightmare on Elm Street – love slasher flicks!

 

7. What’s your worst trait?

A – I’m perpetually ten minutes late for everything.

B – I’m ridiculously stubborn.

C – I try to please everyone all the time.

D – My temper is off the scale.

E – I’m rubbish at meeting new people – too shy!

 

Now add up how many of each letter you got and find out which HOLLOW PIKE character you’re most like and then share with your friends!

 

DelilahMOSTLY As? You are Delilah Bloom.

Like Delilah you are a true free-spirited individual. You moved on past caring what anyone thought of you long ago. You are a serene and thoughtful character, always able to see things from a different angle to others. You are equally happy in a group or spending time alone, working on something creative.

 

 

LisMOSTLY Bs? You are Lis London.

You and Lis have a cast-iron moral compass. You have definite sense of right and wrong, and cannot abide injustice in any form. Fairness is very important to you. Your main goal in life is to be comfortable, happy and surrounded by those you love. You are a real fighter and full of determination.

 

 

fugative-3MOSTLY Cs? You are Danny Marriott.

Like Danny, you are happy to settle for an easy life. And what’s so wrong with that? You hate conflict and arguments. You’re the polar opposite of a drama queen, and often wonder why people can’t just get along. You are loyal, honest and caring. You are more in touch with your feelings than people realise.

 

 

KittyMOSTLY Ds? You are Kitty Monroe.

A bit of attitude is never a bad thing, and you and Kitty have it by the bucket-load. You’re not rude or angry, but you certainly don’t take any crap from anyone, either. Witty, sharp and resourceful, you’re a natural born leader of people. People trust you, and you command respect from others.

 

 

JackMOSTLY Es? You are Jack Denton.

Like Jack, you are a bit of a chameleon. With your friends you’re the comedian of the bunch: chatty, silly and fun. In big groups, though, you tend to let yourself blend in and go with the flow. Don’t hide away! Once people get to know the real you, you’re everyone’s best friend and a fantastic confidant.

 

Image credits via folio/flickr/google – no infringment intended.

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AUTHORS VS TECHNOLOGY

Posted by James Dawson on March 6, 2013

p2000After being told many, many times YOU NEED TO BE ON TUMBLR, I caved and got a Tumblr account up and running. I’m wilfully slow with new social technologies – I treat them with the same suspicion as big wooden horses left outside my front door – WHAT IS REALLY INSIDE, IMPOSTERS? I ask. I ignored Minidiscs for this reason, and I’m really glad I did. With my shiny new Tumblr, I now have two Facebook accounts, a Twitter, an Instagram, a Pinterest and, somewhere, an old ‘R U OK HUN?’ Livejournal from about ten years ago.

What’s it all for? Authors are told, often before they’ve even found an agent, let alone a publisher, YOU NEED TO BE ON THE SOCIAL MEDIA. It’s not rocket science – being able to connect with a potential marketplace has always been the goal of sales, advertising and PR. I swear I can hear you screaming ‘it’s not just about the hard sell, James’, and you are right – the most important part of social media is the social bit, otherwise I imagine it can feel a bit like a full-time job (which is why some mega-authors pay people to do it for them).I’m a big fan of authors such as John Green, Maureen Johnson and Dawn O Porter who use their enormous online followings to a) be funny and b) do some nice stuff for the world.

Publishers like authors to engage with readers via social media because, unlike print ads, book trailers and postcards, social media is free. OR IS IT? (X Factor style voiceover). All the ‘free’ online stuff, which given a choice, I’d probably do all day long because I’m fickle and easily distracted like a magpie with ADHD *eats Creme Egg* *flicks music channel* *does a bit of tidying* What was I saying? Oh yeah, time wasting. All the ‘free’ online stuff is time away from the writing I actually get paid to do, therefore it is actually a personal cost to the author. I imagine if we added up all the blog posts I’ve done, they’d equal a book about the length of Hollow Pike.

I’m thinking perhaps it’s time to streamline all of these various procrastination devices I have. Let’s weigh up the value of each.

My… What’s it for? A nice example
Author website The primary hub of information for any author you google should be their homepage – we are, after all, professionals. Contains news, contact details and, in most cases, a blog. Cassandra Clare’s is a particularly slick example – and probably costs a lot to run: http://www.cassandraclare.com/John Green’s is a more realistic option: http://johngreenbooks.com/
Facebook Initially for photo sharing with your school friends, Facebook evolved into a mass selling device with adverts clogging ‘your feed’. For authors, a fan page gives readers the opportunity to keep up to speed with your signings, release dates and general news. Take a look at Malorie Blackman, who favours Facebook: https://www.facebook.com/malorieblackmanauthor
Twitter A fast, snappy way of chatting in up to 140 characters. It moves fast and it’s great for sharing live events in real time. Unlike Facebook’s ‘look at me’ approach, Twitter is more of a connection between users – allowing celebs to mingle with the masses. Maureen Johnson is hilarious, relevant and the hard sell doesn’t feel too hard. https://twitter.com/maureenjohnson
Tumblr ‘Micro-blogging’ is blogging in very small digestible chunks. Vitally the information is SHARED across users via ‘reblogging’, creating an online scrap-book unique to each user. Especially good for sharing pics, and gifs (moving pics), Tumblr has really taken off in YA fandom, with many users creating custom pics with novel passages. Handily allows readers to ask authors questions too. Shadow and Bone author Leigh Bardugo favours Tumblr as her main fan connection: http://lbardugo.tumblr.com/
Instagram Now owned by Facebook, Instagram is doing what Facebook used to do – share pictures. This time with nifty filters to make everyone look they’re living in early eighties soft porn. The present queen of Instagram is teen model and unlikely role-model Cara Devlevigne: http://instagram.com/caradelevingne
Pinterest An online scrap book that allows users to very quickly ‘pin’ pictures they like off the internet without having to right-click and save to a computer. A LOT of pictures of cupcakes, yo. Handy though for finding pics of people who look like your characters at the research stage. My one is basically a collection of hot young people and sharks: http://pinterest.com/jamesdawson/
Google+ Ha ha ha ha ha ha ha ha.

Now the good news is that a lot of these things can be linked, so not all need to be updated all the time. What’s more, readers are likely to connect to all social media points – it’s unlikely there will be set of Facebook followers and another entirely distinct group of Twitter followers -basically you shouldn’t have to repeat yourself across multiple sites. Many authors do, however, probably as social media moves so fast, things are likely to be missed. Case in point the Cruel Summer cover reveal which people are still seeing for the first time two weeks on.

Some authors opt out entirely and who can blame them? Some see it as a waste of time (I would argue they’ve missed the all-important ‘social’ element) while some struggle to keep up with ‘the new thing’. Some sources believe there is no link between social media and book sales. I’m not so sure – I bought the book in question, ‘Gone Girl’, because Twitter went mad for it, even if it wasn’t the author herself. I think one thing we ALL agree on is that the HARD SELL – tweeting bi-hourly amazon links to your own book is aggressive and, frankly, off-putting.

In an ideal world, I think I’d like to streamline things a little. This won’t come as a surprise, but Twitter is my favourite way to kill time. It’s both a staffroom for authors to chat and also a place for readers to get in touch to fuel my ego talk about the books. I’ve already linked up my Twitter and Tumblr accounts for ease. While I do put things on the Facebook pages, but not very often so I’m thinking that might be the first to go. I think the blog will stay – this sort of writing wouldn’t work on Tumblr, for example.

What about you? Sick of it all? Confused? I am! Which of these things do you LOVE? Which could you happily throw down the well from The Ring? Tell me in this CHARMING BOX!

 

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SCHOOL MEGATOUR 2013

Posted by James Dawson on March 1, 2013

Signing at Dorothy Stringer in BrightonHello teachers and librarians! Last year, to celebrate the release of Hollow Pike, I did a school tour that was the funnest thing I think I’ve ever done. So much fun, in fact, I’m doing it again. This year it’s BIGGER and BETTER because I have not one but TWO books ‘dropping’ in the autumn. I plan to hit the road (how rock and roll?) in September and October.

The first (1.8.13) is CRUEL SUMMER a darkly comic YA murder mystery in the tradition of Christopher Pike and RL Stine. The second (9.13) is BEING A BOY a ‘hilarious’ non-fiction text pitched as the ‘ultimate guide to puberty, sex and relationships for young men‘ (although, of course, girls have a vested interest in such matters too).

Cruel Summer_FC_hi-res

Basically this means I can visit your lovely school or library to talk about fiction OR non-fiction. Remember I used to be a PSHCE teacher so teaching sex ed was kinda my thing. If you like, I can even come and talk about BOTH! I enjoy nothing more than chatting to big assembly-size gatherings, but I can also do a smaller writing workshop (no larger than 20 pupils). I am a First Story Writer-in-Residence so come prepared with oodles of activities.

Unless otherwise specified, the 2013 schools tour will be interactive – allowing the pupils (Year 8+) to decide the content of the session. I always do short readings, and work in collaboration with a variety of booksellers so that pupils have the opportunity to buy a signed copy of the books.

Although it seems MILES away, I already have a couple of schools signed up, so please do grab me (gently) at james@jamesdawsonbooks.com there’s even a handy link to your right >

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CRUEL SUMMER – COVER REVEAL

Posted by James Dawson on February 25, 2013

It gives me great pleasure to reveal the GORGEOUS cover for my new novel CRUEL SUMMER:

Cruel Summer_FC_hi-res

Pretty striking huh? I love that it’s totally different to Hollow Pike, but just as eye-catching. So what’s it all about?

 

Ryan is looking forward to spending the summer with his old school friends at Katie’s luxurious Spanish villa. He hasn’t seen the gang since their friend, Janey, committed suicide a year ago. He hopes this summer they’ll be able to put the past behind them and move on – until someone else arrives, claiming to have proof that Janey’s suicide was murder – and it’s only a matter of time until her killer strikes again…

Ryan was hoping for sun, sea and sand. Suddenly, he’s facing a long, hot summer of death, drama and deceit . . .

If you like a racy teen thriller, some edgy humour, or you’re a fan of Christopher Pike, I think you’ll like Cruel Summer too. As we get nearer to the launch date of AUGUST 1ST 2013, I’ll give away a few more details about the fabulous RYAN HAYWARD and his sexy beach chums ALISHA, KATIE, GREG, BEN and ROX, but until then I’m gonna keep you guessing…

Until then, if you enjoy pre-ordering you can do so at THIS LINK. And if you’re a Goodreads user you can add it HERE. Gorgeous bloggers, please do feel free to share the hell out of it on your blogs, tumblrs and just about anywhere else you see fit! Thank you x

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YA: THE STARTER KIT

Posted by James Dawson on February 19, 2013

booksI had the most interesting conversation the other day. ‘So what do you do?’ a gentleman asked me.

‘I’m an author.’

‘Oh wow! Like JK Rowling?’

‘Yes. Exactly like that.’

‘I have an amazing idea for a YA novel.’

‘Oh. OK.’ The chap then went on to describe, in very close detail, the plot to Michael Grant’s GONE sequence. I asked if he’d read this and he said he had not. After further digging, it transpired that beyond a bit of Harry Potter, he had read little to no YA. Well, that’s just bad planning. How can you possibly write for a market you haven’t even slightly researched?

I prescribed our wannabe writer chum a capsule wardrobe of essential YA that any starter should cast their eye over. Now, this is just MY list – the books which have most inspired me. I imagine your YA essentials will be different and you should certainly tell me in the little box below!

Here’s the YA Starter Kit:

HIS DARK MATERIALS – PHILIP PULLMAN

Why? The imagination. YA was a uniquely American concept when this trilogy begun in 1995. As such, the rules were still being made and Pullman presented a breadth and scope far beyond most children’s fiction. His Dark Materials is an epic fantasy with intriguing and loveable characters but is also a thought-provoking dissection of religious zeal.

NOUGHTS & CROSSES – MALORIE BLACKMAN

Why? The passion. I doubt that any ‘adult’ books have addressed racism in such a concise and poignant fashion. That’s the best thing about YA – it doesn’t have to be showy and florid to be profoundly moving. A dystopian Romeo and Juliet tale that features everything you’d want in YA: romance, treachery, terrorism. Malorie Blackman is truly the queen of UKYA.

CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME – MARK HADDON

Why? The originality. Few YA novels (the jury scurries back and forth as to whether this is YA or not. I think it definitely IS) have toyed with form in the way that this one has. Lead character, Christopher, has an autism-like condition and presents a truly unique narrative. A novel which will change how you see the world.

TWILIGHT – STEPHENIE MEYER

Why? The sales. When something becomes a true phenomenon, I believe it’s vital to analyse the appeal. For this reason, I think writers should explore Brown, James, Rowling and Meyer – because we ALL aspire to reaching their global audience. The appeal of the Twilight Saga lies in Bella’s transformation and, more importantly, the fact she attracts not one but two gorgeous suitors. I want to smack the bottoms of authorly Twilight haterz because Meyer blew the market open and allowed us to be here. That said, perhaps just read the first two.

SABRIEL – GARTH NIX

Why? The character. You could substitute this for THE HUNGER GAMES should you wish. Both Sabriel and Katniss are fantastic role-model characters – capable, intelligent and brave. Personally I prefer Nix’s fantasy quest because who doesn’t love a bit of necromancy? Sabriel is one of the best examples of a book that will appeal to literally any reader – it really does have everything. Mystery, magic, danger and romance are all in the mix.

FOREVER – JUDY BLUME

Why? Ralph. More than thirty years on, Forever is still THE teen sex book. The gentle coming-of-age story is as relevant now as it was then. Perhaps it’s a little misty-eyed, but Forever introduces sex in such a non-threatening way that by the end, you do feel as if you’re a little older and wiser alongside the characters. Honest without needing to be shocking.

LOOKING FOR ALASKA – JOHN GREEN

Why? The voice. You could also have HEART SHAPED BRUISE by Tanya Byrne in this position. Green’s characters (in any of his books, I just favour this one) are wise, world-weary, intelligent, funny, witty and wry – I always get a taste of Kevin Williamson era Dawson’s Creek – which is no bad thing. The voice is compelling, distinctive and in no way patronising. Green doesn’t write ‘for young adults’, he writes stories about young adults. Byrne achieved the same realism with a UK flavour.

A MONSTER CALLS – PATRICK NESS & JIM KAY

Why? The power. YA has the power to reduce big, giant, iron-soul people (like me) to tears. There are so many books I could have featured here, but I opted for A Monster Calls because it weaves a fantasy element (scary tree monster) with the harrowing real-life drama, making that little bit more distinctive than your average weepy. I’m also a sucker for a portmanteau story-within-a-story.

I think those ten novels would give a well-rounded view of what it is we YA writers are aiming for. Powerful, honest, exciting and imaginative stories about intriguing, rounded characters. Well, that’s what I’m working towards anyway! What books would you air-drop into the home of someone who had never read YA? TELL ME HERE:

 

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NEWS AND STUFF

Posted by James Dawson on February 11, 2013

Red Lemon PressAlthough we must always strive against info dumping, there’s a few bits and bobs so I thought I’d stick them all in one handy post.

1. BEING  A BOY: Keeping this one a secret was quite a task (especially for someone whose nickname is James ‘Take It To The Grave’ Dawson). Last year I was working on this secret project – a real labour of love. When I was a teacher I specialised in PSHCE and I firmly believe thorough sex education is vital. Sadly, even the best teachers can’t compete with the darkest corners of the internet. The goal of BEING A BOY is to give young men (and for that matter anyone) a manual on every aspect of puberty, sex and relationships. It’s frank and (hopefully) funny.

BEING A BOY was acquired by Red Lemon Press, the sister publisher of Hot Key – who you know as the home of Maureen Johnson, Dawn O Porter and, recent Costa winner, Sally Gardner. It’ll be published (with gorgeous illustrations from Spike) in September.

2. CRUEL SUMMER…is done. I’m so proud of it and can’t wait for you to get your mitts on it. It’s a little different to Hollow Pike, but I hope you’ll like it just as much. If you like your twists and turns twisty and turny, I think you will. It’s a total homage to the Christopher Pike books I read when I was fifteen. The cover is ready ANY DAY NOW, so I’ll be able to share soon. CRUEL SUMMER is out 1.8.13 and I am planning a TROPICAL THEME LAUNCH, so you better bloody come.

3. EVENTS: I was mega excited to be invited to speak at the SOUTHBANK IMAGINE FESTIVAL this coming Thursday. If, like me, your Valentine’s plans are non-existant, I recommend you come on down to London and listen to me, MAUREEN JOHNSON, ABIGAIL GIBB and GEMMA MALLEY (yes, how amazing is that line-up) talk about the ALLURE of the supernatural. My motto is, if you’re single, snog a ghost. Come and join us. TICKETS are but three English pounds.

NEXT THURSDAY I am also super excited to be speaking at The Booktrust panel, YA:COMING OUT OF THE CLOSET at the Free Word Centre in London. It’s FREE, yes FREE but you need to reserve your space. I’ll be in conversation with HAYLEY LONG (who wrote on of my favourite books of 2012 - What’s Up With Jody Barton) and we’ll be discussing why there are so few LGBT characters in YA and what we’re doing about that. PLEASE come. All the deets are HERE.

4. BOOK WEEK: Is March 4-8. If you are a librarian or teacher and would like a visiting author that week, I still have a couple of slots free.

5. SKITTLES: I have recently been enjoying Skittles. I suggest you do too, as they are a much underrated sweet. You’re welcome.

 

6. A PICTURE OF A LITTLE DOG:

You're welcome

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